Poetry by Thomas Carew

PRIMARY SOURCE: "An Elegy upon the Death of the Dean of Paul's, Dr. John Donne" and "To Ben Jonson" (1640)

Context

• Publication: Carew wrote throughout the 20s and 30s, and associated with the Jonson circle in the Caroline court. Carew was made gentleman of the Privy Chamber Extraordinary and Sewer in Ordinary to the King (dining planner). Carew's courtly output was mixed: he borrowed from Giordano Bruno's philosophy for Coelum Britannicum, and translated nine Psalms, despite his reputation for witty society poems and libertine ethics. Poems printed by John Dawson for Thomas Walkley in 1640. Quarto. EEBO link.
• Scholarship: Carew's drawn attention as a master of late Caroline courtly poetry, a successor to Jonson and Donne, and an earlier commentor on contemporary English poetry.
• Why I'm reading it: The Canon, the court, formalism.

Content

• Form: Iambic pentameter couplets.
• Genre: 
• Elegy. 
• Ode.
• Conceit:
• The elegy begins with a lament and memento mori based on Donne's passing. The poem then praises Donne's rhetorical powers of convention and invention. Ultimately, the poem praises Donne as a priest of both Apollo and God.
• The ode begins by praising Jonson's powers as a censor to bad poetry, but then switches to praising the harmony in his lines and characters: all showing the same mind, but all different. Other poets aspire to match his craft, but he is justly greater than them.

Upon Appleton House by Andrew Marvell

PRIMARY SOURCE: Upon Appleton House (comp. 1651)
Context

• Publication: Miscellaneous Poems, 1681, "by his former housekeeper as support for her unsuccessful claim to be his widow and heir" (Rumrich 531) EEBO entry.
• Scholarship: Compared to "Horation Ode Upon Cromwell's Return from Ireland" for political commentary on Fairfax, who refused to invade Scotland and was replaced by Cromwell.
• Why I'm reading it: Dubrow uses the country house poem to apply New Formalism to the Renaissance.

Content

• Form: Iambic tetrameter; couplets; eight-line stanzas; 97 stanzas. (Based around 8-8-8 organization.)
• Genre: Country house poem or topographical poem.
• Conceit: "The framework is a guided tour: a description of the house itself (lines 1-80), modulating into moralized history--the story of the nunnery and the attempted seduction of the Fairfax ancestor, the "blooming Virgin Thwaites"--and into false and corrupted religion (81-280). The grounds are described: the gardens (281-368), laid out in military style; the meadows (369-480), where the order of the seasons prevails; the woods (481-624), image of the retired life; the river (625-648). Finally, at evening, returning to the mode of elaborate compliment, the poet describes Mary Fairfax, the epitome of the natural scene, the microcosm of the place, and the hope for a new and better order (649-776)." (Rumrich 559)
• Other notes: 
• The play places a high value on embodied reason.
• Transcendental imagery.
• Unclear image: "I was but an invented tree" (ln. 565)
• Mneumonic from the apple trees on Rahn Rd., down Rahn, then over to John Hole on Whipp.

(NB: Written with anthology notes.)

Rumrich, John P, and Gregory Chaplin. Seventeenth-century British Poetry, 1603-1660: Authoritative Texts, Criticism. New York: W.W. Norton, 2006. Print.